Anders Monsen

Lost worlds and ports of call

A brief sojourn into Salem

These days, apparently, October is the month to visit Salem, Massachussetts. This town, just a short thirty-minute train-ride northeast of Boston, owes its fame to the killing of twenty innocent men and women, plus an additional five who died in the town jail, back in 1692. Accused of witchcraft—although probably a likely excuse to acquire disputed land—in Puritan New England men and women, old and young, were hanged on Gallows Hill (one person, pressed to death, died in a manner more horribly than by the rope). Others were tortured in order to confess their sins, and this stain on the town of Salem has never really left it, even after more than 400 years. Harsh judges, steeped in religious superstition, handed down sentences of death based on dubious evidence. Locals later repented their actions, but for many it was far, far too late.

Today, the town of Salem (at least the economically minded side), makes a killing on its history of those killings. Stroll down Essex Street Mall, and you’ll find a Witch Mansion, Professor Spindlewink’s World of Wizardry, and various haunted house hawkers amid a multitude of touristy shops selling witch-related items short of Harry Potter knock-offs. In a nearby graveyard is the Salem Witch Trials Memorial, and a few blocks away the Salem Witch Museum. There’s even a torture museum, for those so inclined. I was happy to stroll along other places.

Salem’s also home to the massive Peabody Essex Museum (PEM), a venerable institution with wonderful (and mostly not witch-related) exhibits and notable paintings, well worth a visit for anyone interested in art and/or history (also, there is was an exhibit on the people who were accused of witchcraft and killed, which was illuminating). The city of Salem itself is notable for being the birthplace of America’s greatest 19th century writer, Nathaniel Hawthorne.

In Salem also sits the actual house of the seven gables, now a museum, but once the subject of Hawthorne’s second novel. Nathaniel Hawthorne, whose venerable ancestor was one of the harsh judges who condemned the so-called witches to death, wrote many tales set in and around Salem, notably The Scarlet Letter, an attack on Puritanism in its many forms. Hawthorne also left the city in disgust after being tossed from his job at the Custom House when a new administration came to power and replaced many individuals from a different political bent. Salem, today recognizes its most famous inhabitant with a street name, a hotel, and a statue in a central location (and probably other nods and recognitions).

In early September this year, rather than in the madness of the Halloween-related month of October, I took the commuter train from Boston to Salem. The atmosphere in North Station in Boston, while waiting for the signal to board the train, likely merits its own long essay. But, I will skip that effort, as I still bear the scars of the mad rush through the doors once the platform was announces, just 10 minutes prior to departure.

Years ago, as an English major in college, I’d read Hawthorne and many of his contemporaries. That middle 19th century period was perhaps my favorite when it came to American writers: Hawthorne, Herman Melville, Ralph Waldo Emerson, Edgar Allan Poe, Henry David Thoreau all made an indelible impression on me, and I read many of their books. Aside from Hawthorne, Salem is the center of early American superstition gone wild, and so a destination-place for anyone in the Boston area. Naive as I am regarding the present, I thought for some reason that Salem was still a somewhat small village, not the enterprising locale attracting visitors goggling at witchcraft and wizardry related stuff.

Leaving the train station, I was surprised at the large crowd rushing up Washington Street. I later found that their likely destination was the Essex Pedestrian Mall, unless it was the cemetery, or maybe Gallows Hill Park (now a baseball field and skate park, it appears). Instead, I took a left turn and walked down Bridge Street. I passed by the old Salem jail lot, made a right turn and ended up near the Salem Witch Museum. There was already a line, and booking were apparently only available online via a QR code. Upon learning it was mostly a video presentation, I skipped it, and walked toward the center of town. I spent an hour in the PEM, perusing various exhibits, then wandered about town, shuddering as I walked along the Essex Pedestrian Mall. Looking for lunch, a decision was made to find something near the wharf. A walk along Derby Street took me to Pickering Wharf, and then Finz Salem, a seafood restaurant, where I enjoyed a decent plate of fish and chips and local lager.

After lunch I walked passed the Historic Central Wharf, then along the length of the next wharf, where I passed the Friendship of Salem ship (now closed). I circled the Derby Wharf Light Station at the end, and returned the way I came, wondering how this area looked like back in the 1840s, and even the 1640s. It’s a city now choked with houses and businesses. Sure, some of the houses bear plaques as to when they were built, dating back to the seventeen or eighteen hundreds, but there are many new buildings. Salem, after all, is history, but history is fluid. Even though Hawthorne fled this city to Lenox in western Massachussetts, and later to Italy, he could never quite escape history, and remains connected to Salem more than any place today.

Nearby the Historic Central Wharf stood The House of the Seven Gables museum. As I didn’t care to spend another hour (and more money) to wander its rooms (and likely buy some Hawthorne edition of a book that I probably already owned), I simply walked around it, as much as was possible. Perhaps I’ll return to this strange town. if I do so, I hope it’s not during October, where all those witch-mad people storm the town, and also hawk their goods. Maybe, I’d even stay at a local hotel, drawn by the name of that notable scion of Salem. Then, I’ll check out this seven gables museum, perhaps in a more quiet moment, and also buy more books. After all, I do have a compulsion to buy books, and marking a book or more as “from Salem” might mean something to me, if only briefly.

On the way back to the train station, a sprinkling of rain fell, and I wondered about winter and Hawthorne’s dislike of the east wind that haunted this town. Did luck strike with an otherwise warm September day? Briefly, wandering the remote streets, I saw a rabbit in poke its head out a small yard and then disappear. I found this strange, as I was far from the countryside. Then again, I’ve spotted rabbits while in suburban Medford just outside Boston proper, so perhaps this sight was normal in New England, just as squirr. I paid homage to the Hawthorne statue, walked past the Hawthorne Hotel, and wondered what old Nathaniel would have thought had he witnessed Salem in 2026. Probably he would have shaken his head, made a disparaging remark or two, and disavowed any association with his birthplace, as he did back in 1849.

Having seen but a fraction of Salem, but also having become once more aware of Hawthorne as a person and writer, I’m now reading a biography of this person; it’s a book I bought years ago, but never touched, until I dug it out from behind a stack of books covering that time-period in American life and fiction. I’ve also gone ahead and arranged many of his books in order, and now plan to read or read them this Fall. I still remember a few of his stories from many decades ago when I read them in college, and look forward to revisiting them with the experience of having, at least, been to New England. Life is strange, indeed, as I never expected to visit that area of America. Now that I’ve been there, the lives of many of its writerly inhabitants suddenly has a greater meaning, and I feel the need to take another look at their lives and what they wrote.

I’ve even sketched out an itinerary to hike Katahdin, to walk in the footsteps of Henry David Thoreau, another of my literary (and personal) heroes. Perhaps that’s my own great awakening.

The Final Ford

I know that I’ve heard of John M. Ford’s name, but I’d never come across any of his book until I found a copy of Aspects for sale in October, 2026. Only after I had this book in my hands did I learn that this was his final book, published after his death, no less.

Published by Tor books in 2022, with an introduction by Neil Gaiman (prior to his cancelation for “bad actions”), Ford’s novel is somewhat incomplete. Ford (1957 – 2006) passed away aged 49, comparatively young. He dealt with kidney and diabetes issues all his life, yet produced many stories. I believe his first book was Web of Angels (1980), but I’d never come across any of his books until now, and as fate would have it, this was his last book, published many years after he died.

Aspects is a heft book, clocking in at nearly 500 pages. Kudos to Tor for publishing the book, nearly two decades after Ford died. Back in 2021 or so when Gaiman wrote the introduction (as a longtime friend of Ford’s), Gaiman was still a major name in the SF/Fantasy genre. Things have changed since then, with Gaiman accused of sexual assault and such, so it’s somewhat strange to read his introduction now. It doesn’t diminish anything, but still it’s strange to connect that introduction to the present version of Gaiman.

Still, wow, to read the first couple of sentences of Ford’s book, knowing that he’s long dead, is strange if not disturbing. Perhaps I’ll come across more of books now, as I’m more aware of his name, but with his death almost two decades hence, that iwll likely be via online sellers, or by chance if I see any books in various used bookstores. It’s so tragic when this happens, but the past is the past.

Ray Garton’s Hateful Book

Is that a misleading title? Probably. And for that, I apologize, for I’ve always been impressed by all the Ray Garton stories that I’ve read.

Recently, I picked up a nice copy of Ray Garton’s collection, Pieces of Hate, published by Cemetery Dance in 1996 — which is 30 years ago today! My copy is number 97 of 500 signed and numbered copy of this title. The book contains just nine stories, none of which I’ve read. I own just a handful of Garton’s books, all from small press publishers — Dark Harvest, Ziesing, Borderlands Press, and now Cemetery Dance. This is but a small subset of the books published during Garton’s lifetime. He died in 2024, all too young and with many years of fiction ahead of him. So tragic.

Horror and dark fantasy is but a small subset of genre fiction, but Garton was a major name in that arena. The first Garton story I read was “Monsters” in the Dark Harvest anthology, Night Visions 6, where he appeared alongside F. Paul Wilson and Sherri Tepper. I don’t remember anything from this story, but I do remember Lot Lizards, a vampire novella published by Ziesing back in 1991. Since then I’ve picked up a few more of his books, all hardcover. His original paperback horror books are hard to find these days, as are some of his more famous (or infamous) books, like Live Girls.

With Pieces of Hate you get the stories, and that’s it. No author introductions. No afterwords, no encomia from fellow authors. Leave that to other books. I look forward to readin this book with great anticipation. I’m sure the stories will be troubling. That was the case with Lot Lizards, as it was with Trade Secrets, another of Garton’s novels that I recently read. I still have a few of his unread books in my shelves, which sometimes is a good thing. I’ve yet to come across any Garton paperbacks anywhere, but perhaps someday I’ll find more of his books, and mourn the fact that he’s no longer around.

Another Dragon Griaule tale

Whenever I’m in Phoenix for a few hours, as was the case this month, I try to stop by Book Gallery. This sprawling bookstore carries used and rare books of almost every shape and genre. Precise labels on the shelves cover almost every imaginable subject, so that either one must visit every bookshelf to discover what lies within, or have a specific idea of what to seek.

Over the past couple of years I’ve found some great books there. I’ve also had to put a few books back that were priced above what I could afford. This time, one of the books I could not put back on the shelf was Beautiful Blood, a novel from Lucius Shepard (1943 – 2014). I think it’s the third Shepard books that I’ve bought from Book Gallery, and likely not the last.

As I was checking out, I spoke with the owner, who mentioned that he started his career as a bookseller when one of Shepard’s first books was published. We thought it might have been The Jaguar Hunter, but only as I was driving away did I recall that it was likely Green Eyes (the owner recalled the name as “Green Jaguar”, a mix of both titles). Coincidentally, Green Eyes was the first Shepard book that I bought — the paperback with the green cover. Shortly thereafter, I bought Kalimantan at a bookstore while in New York City. Since then, I’ve bought a dozen of Shepard’s books. I would have bought more, had I been able to find them in bookstores, but sadly many of his books were published only by small presses. When I lived in Austin, TX, only one speciality book store existed (sadly, now long gone), and in my present location there’s no such option. Everything’s online these days, and prices escalate over the years. Still, coming across a physical copy breaks a certain monetary barrier.

Published by Subterranean Press in 2014, and limited to 1,000 numbered copies, my book is number 75. It’s a tale of the Dragon Griaule, one of many that Shepard wrote. I own and have a read a fair number of these tales, but by no means all of them. I probably also own just under half of Shepard’s published books. I still recall when I was able to afford one of his Arkham House collections, The Jaguar Hunter; years later I added his other Arkham House collection, The Ends of the Earth, to my library. Shepard is a quintessential American writer. Several of his stories are set in Central America, linked to events in the 1970s and 1980s, but he also drew inspiration from elsewhere in both reality and fantasy. The Dragon Griaule stories are dark, unrelenting, and tragic, as are many of his other stories, but the prose remains powerful. The more of his stories that I read, the more I want to go out and seek all his other books.

Thrillers x2

I’ve forgotten how many times I’ve read a book series out of order. I just know that it happens, and if by chance the second or third book in a series is good, and I read it first, well, I have to go hunt for book number one. Is a themed anthology in the same boat, however?

One of the books I picked up recently in Phoenix was Thrillers 2, published by Cemetery Dance in 2007. A signed/limited edition was too good to pass up. Edited by Robert Morrish, it features ca. 20,000 words each from four contributors — Gemma Files, Tim Waggoner, R. Patrick Gates, and Caitlin R. Kiernan. This anthology is apparently the “long-overdue return of a dark fiction series that debuted in 1993.” I’m not sure that a 14 year absence makes it a series, especially since no more books in this “series” followed. However, since I had book two, I naturally went out and searched for a copy of the first book…

Perhaps it’s unfair to compare Thrillers to another “dark fiction” series. Still, Thrillers seem to attempt to vill the void left from the demise of Dark Harvest’s Night Vision series, which ran for nine installments, then was partially resurrected by Subterranean Press for three more installments. The first Thrillers appears in 1993, just two years after Dark Harvest ceased the run of Night Visions books. The cover and concept seems to share a great deal with Night Visions: multiple writers contributing original fiction. With Night Visions, there were three writers – two well-known, and one new (and up-and-coming) writer. Majro names like F. Paul Wilson, Stephen King, Robert R. McCammon, Joe R. Lansdale, Dean Koontz, George R. R. Martin, and others, appears in Night Visions. Thrillers has four authors, a mix of new and well-known names. The font on the nine Night Visions books was consistent and recognizable. The font on the two Thrillers books, not so much.

The first book has stories by Rex Miller, Ardath Mayhar, Chet Williamson, and Nancy A. Collins, plus a short introduction by Joe R. Lansdale. The second Thrillers has fiction by Gemma Files, Tim Waggoner, R. Patrick gates, and Caitlin R. Kiernan. I checked ISFDB and despite close to 600 publications to its name, Cemetery Dance never released a third Thrillers.

It’s strange, but 2007 seems like just yesterday, and yet it’s almost two decades in the past. Going back to 1993 seems like a deep dive into the past. Since then, dark fantasy and horror anthologies have come and gone, yet there seems to be nothing like Night Visions, an annual publication with cutting edge fiction. Small press publishers have come and gone. Arkham House exists now in the distant past. Subterranean Press (soon to cease, alas) has published great fiction, mostly from individual authors. Golden Gryphon existed for a few years. Gauntlet Press and Borderlands Press publish just a few books each year. The same is the case for Cemetery Dance, which produced these two Thriller anthologies. Other small presses these days seem to focus on high-end expensive books for collectors with a lot of money.

Then again, with books like these day, I continue to mine the past with occasional success.

Danehy Parkrun

I love Parkrun. These are semi-organized events held on Saturdays in a park, supported by volunteers. Register once, get a barcode, and show up to any Parkrun location in the world to participate. Here you can either run or walk, track your time, or ignore it. My closest Parkrun is over three hours away, so rather than a long drive early a Saturday morning, if ever I’m in an area on a Saturday with a Parkrun, I show up and run, just for fun.

Danehy Parkrun takes place in Cambridge, Massachusetts. This was just my fourth Parkrun, and weirdly, the first one in the USA. My first Parkrun was in Reading, UK; the second in Dublin, Ireland; and the third in Bergen, Norway. I didn’t plan it that way – I just happened to be in those locations on a Saturday, and found a nearby Parkrun. At this rate it might be a decade before I reach the first milestone of 10 events.

I’ve been close to my “home” Parkrun twice. The first time I was running a half-marathon the following day and found it impossible to leave my hotel due to closed roads. The second time, I had no idea I was just a few minutes away until after the fact, as I drove past the park a mere five minutes from the hotel. I could not believe that I’d failed to bring running gear or even realize how close I was to that location. Since then, whenever I visit a place, I immediately look to see if there is a nearby Parkrun. In the USA, apparently, these are far less popular than in England or elsewhere.

As I was staying in Somerville over a weekend, I found that the Danehy Parkrun only was less than a mile away from my bed and breakfast. Naturally, I packed some running gear, and even though I made it to my room the night prior no earlier than 12:30am, or “zero dark thirty” in military parlance, I was buzzed to run another Parkrun. Number “four” is not an anniversary run, but it still held meaning to me as the first Parkrun on American soil. Early Saturday morning, I donned my running gear and followed the directions on my phone to walk over to the start area in Danehy park, around one mile away.

I was one of the first to arrive in the park. I’ve noticed that it seems to be the rule more than the exception that most people show up mere minutes prior to the start. After the briefing for first timers, where the course was outlined, the start saw close to a hundred runners head out on the narrow tarmac path. A slight incline gave way to a relatively flat course, which then wound itself around the edges of the park. It was a three-loop course, each loop slightly less than a mile long. As I was still recovering from a back injury a few months ago, I held back until I found what I thought was a comfortable pace. I passed a few people the first two miles, and then my pace faltered. Clearly I was not yet in 5k shape. In the last half mile four runners eased past me, with more on my heels as I made it up the steep hill to the finish. My time was nothing to boast about, but still acceptable based on my current fitness level. If I make it back to that Somerville/Cambridge, I’ll be sure to show up again. Then again, it’s also tempting to look for other Parkruns in and around Boston, because variety is more fun than going for a PB on familiar ground.

So, if you’re lucky enough to live near a Parkrun, I envy you. All my training sessions are solo, and it’s so nice to run with other people in an event that’s not a race, yet also not just a group run. And, as always, a great thank you to the volunteers to make those weekly runs possible.

Collectibles Anthology

Perhaps it’s no coincidence that the 100th Subterranean Press book in my library is the anthology, Collectibles, edited by Lawrence Block. This takes me to just over 10 percent of all Subterranean Press books. In my typical haphazard way about collecting books from small press publishers, I’ve picked up Subterranean Press books over the years from various places, and with no real plan in mind. In some cases, it’s because the book is by a favorite author. In others, the price point made it an easy choice. I have added some books by authors I never expected to read, and from that decision added their name to my list of authors to look for and read – Connie Willis is prime here, as I’ve become a fan from reading several of her novellas published by Subterranean Press.

I’ve long been a fan of small press publishers, from Arkham House to Dark Harvest, Subterranean Press to Centipede Press, Mark V. Zeising to Gauntlet Press, Cemetery Dance to Underwood-Miller, Golden Gryphon to Borderlands Press, and NESFA to PS Publishing, and several others. These names cover only a fraction of the small press publishers who’ve produced limited editions in science fiction, fantasy, horror, and a little bit of mystery in the 20th and 21st centuries. Many of these publishers have faded into the mists of time. There are some publishers that I’ve never considered, or never come across. More ardent collectors go for those books. Charnel House is out of my price range, as are some others. In many cases, titles by some of these publishers climb quickly in terms of price on the secondary market, if they are available at all. Collectors, after all, tend to hold on to their prized possessions.

I don’t foresee acquiring all the Subterranean Press books ever published. Then again, as I understand they plan to retire their press sometime in 2027, picking up a book from this publisher is bittersweet. I no longer go to SF conventions, where I’d see some of their books available in the dealers’ room, titles that I’d never expected to find anywhere. Also, there’s no longer a specialist SF bookstore near where I live, so my choices are only two-fold at the moment: stumble across one in a used book store, or find the book online by chance. I don’t seek one out unless it’s by a tiny handful of authors, and apparently those authors no longer have their books published by Subterranean Press (i.e. Tim Powers, James P. Blaylock, and Robert McCammon).

It’s a shame that Subterranean Press is planning to cease operations. They’ve always been a place for variety, not just genres, but authors and formats. From SF to fantasy, horror to mystery, classic writers to modern ones, they covered it all. It’s a sad day for both readers and collectors when they ship the last book from their warehouse.

FPW’s Easton Press book

Dydeetown World. I bought the paperback edition of F. Paul Wilson’s SF mystery book back in 1989 or 1990. Although I’ve read my paperback copy at least two or three times, aside from some yellowing on the inside cover, my copy remains in pristine condition, because I care about my books.

I learned some years ago that there was an Easton Press hardcover edition of this book. Only in September, 2026 did I acquire a copy, for the reason price of $20, in a buy-at-this-price instance on eBay. This book is shorter in stature than I expected, but without any significant flaws. It’s signed by Wilson. How many copies were published, I initially had no idea (According to an online search, 2,000 copies were printed – although that qualifies as a limited edition, that’s a lot of signatures for Dr. Wilson!). Does the signature matter to me? Not really. Still, it’s nice to have a more solid and permanent copy of this book.

Published in 1989 (same year as the paperback — the BAEN edition states it was published in July, 1989), the book is illustrated by Toni L. Taylor, and includes and introduction from James Gunn. My copy is in near pristine condition, although the first and last pages show some slight bending. I found only three illustrations in this book. Gunn’s introduction did nothing to illuminate or distinguish this book from the paperback edition.

Still, for any die-hard FPW fan, owning a hardcover edition of this book is a must-have. One could always wish for something more, but for a book not really reprinted in decades, this is a treasure indeed.

The final F. Paul Wilson books

Back in December, 2024 I bought the trade paperback editions of F. Paul Wilson’s last two books: The Upwelling and Lexie. In the following year Gauntlet Press issued these two books as hardcover limited editions, numbered and signed by FPW. The books were limited to 500 copies; one bore an introduction (first book) and the other an afterword (second book), by author and fan/friend Brian Keene.

By chance, I was able to pick up both copies of the Gauntlet Press books recently while in Boston, at Brattle Books, for far less than the cover price. I skipped another limited FPW book at that location, but there was no chance of me not buying those two books. Brattle Books is perhaps the best bookstore in Boston, and I wish I had more time to spend there, but I’m sure I’ll be back.

I’ve been a fan of Wilson since the mid 1980s, when I acquired a battered paperback copy of An Enemy of the State, as part of payment for the exterior painting of a three-story building while an innocent and ignorant teenager. Now, I own almost all of his books, save a few collaborations. F. Paul Wilson remains, and always will be, an author dear to my heart. Next to Jack Vance there is no other author of whom I own more books than FWP. Sadly , there will be no more after these two, at least in terms of new books. I now only look for a pair or hard-to-find collections, plus those collaborations, if I want to go there,

Bookended with an introduction and afterword from author (and fan and friend of FPW), Brian Keene, these two books join 28 other Gauntlet Press FPW books in my library. There’s now only a single pair of volumes of his limited short story collections that I lack, aside from a handful of collaborations with other authors. More than 70 of his books line my shelves (89 if I count duplicates), which makes him the second most collected author in my library, after the one and only Jack Vance. I only met FPW once, and I wish I spent more time talking about fiction with him. So many regrets, but that’s life.

It’s sad to know there will be no more FPW stories. He’s such a great spinner of tales. I recall all too many times spent reading his books beyond midnight trying to finish one of his stories, my wife wondering when I would call it a night. All my other Gauntlet Books have varying numbers, but these two are identical in terms of numbers. Both books are numbered as #65 of 500 signed and numbered copies. Does this matter? Probably not.

The covers of the Gauntlet editions are superb, and although I have read both books, I know I will read them again. Part of me weeps as I known that slice of life has ended. There’s so much there that could be explored.

Brian Keene, an author I’ve unfortunately never read, writes some powerful words about his association with Wilson, and life in general. At times I wonder why I try to collect some books, as one day, I too, will be dust. Still, I believe my children will take care of at least some of the books that I bequeath them, and those books will live on for at least one generation. Whether they will read FPW the way as I i’ve read his fiction, I don’t know. Then again, does anyone?

Three Little Books

I’ve arrived relatively late to the party when it comes to the series of tiny hardcover books from Borderlands Press (BP). And so, I’ve missed out on a quintet of hard-to-find entries in this series. They’re now up to 69 (I think) books, ranging from modern writers to classic writers. The current series focuses on early twentieth century writers (yet, where is Clark Ashton Smith, I wonder?), and they just announced the next book, featuring W. W. Jacobs (!?).

Also, Borderlands Press recently announced plans to feature present writers of horror/dark fantasy at the same time as they reduced the number of copies from 500 to 350 for each book. Their past master series has featured some well-known and some relatively unknown writers, and this trend continues.

A Little White Book of the Wild, by Jack London (2026). Edited by John DeChancie, signed and numbered, my copy is #54 of 350 copies. Five stories are collected here, including perhaps London’s most famous short story, “To Build a Fire.” London is well-known for his novels set in Alaska – White Fang and The Call of the Wild. His dystopian novel, The Iron Heel, has largely been forgotten. DeChancie writes a crisp introduction, covering London’s life and politics, with a powerful final paragraph that cries out for more research and illumination. Regardless, London’s fiction is memorable and important. He was a force in American literature in the early twentieth century, and well-worth reading to this day.

A Little Scarlet Book of the Surreal, by Franz Kafka (2026). Edited by Ben Keefe, signed and numbered, my copy is #65 of 350 copies. I was traveling when this book was released. It sold out quickly, and so I had to wait until it was listed by a dealer, in this case someone who had several copies for sale at a price just slightly above the original publisher’s price. Kafka is best-know for his cockroach story, “The Metamorphosis” (1915) as well as the novels The Trial (1924) and The Castle (1926). The term Kafkaesque is well-known, and I used it myself a few years ago in an essay or book review when I edited Prometheus, the Journal of the Libertarian Futurist Society. Kafka was a tortured person, and thankfully his works were not destroyed after his early death, as he wished. This collection gathers eight stories, including the memorable story he wrote shortly before his death, “The Hunger Artist.”

A Little Tan Book of Terror, by Oliver Onions (2026). Edited by Thomas F. Monteleone, signed and numbered, my copy of #33 of 350 copies. The cover’s ghost illustration is a near-duplicate of Rick Hatula’s book, A Little White Book of Ghost Stories, published in 2015, though the image is shrunk down from that book’s full-size image down to a modestly sized one that fits between the title and author. Only six of Onion’s stories appear here, and just one of his most famous one tales. Onions died in 1961, now largely forgotten. If recall, he’s mostly remembered for a handful of quiet ghost stories, such as “The Beckoning Fair One,” a tale of slow madness. Is “terror” the right word here? I’m not sure. “The Beckoning Fair One,” as an example doesn’t convey terror to me, but then I’ve read far darker horror than readers who first encountered Onion’s stories nearly a century ago.

As Borderlands Press wraps up it’s series on classic writers, it will be interesting to see who they feature from modern writers of horror. This would harken back to the days when they first started this series of Little Books, which featured writers such as Joe R. Lansdale, Peter Straub, F. Paul Wilson, and others. That was more than twenty years ago, and by then those writers were already famous. It’s a shame, though, that BP dropped the number of copies down from 500 to 350. For collectors and aficionados of horror and dark fantasy, one has to act quickly to get these books before they sell out. Maybe that’s the goal. Maybe there are other reasons. Anyway, as they say, “stay tuned.”

« Older posts

© 2026 Anders Monsen

Theme by Anders Noren — Up ↑

css.php